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Here are all the paintings of Barocci, Federico 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 4932 |
 |
Aeneas' Flight from Troy |
1598
Oil on canvas
Galleria Borghese, Rome |
| 4933 |
 |
Annunciation 7898 |
1592-96
Oil on canvas
S. Maria degli Angeli, Perugia |
| 52118 |
 |
Francesco II della Rovere |
1572
Oil on canvas |
| 4934 |
 |
Rest on the Flight to Egypt sw |
1570
Oil on canvas
Pinacoteca, Vatican |
| 63843 |
 |
St Jerome |
1598 Oil on canvas Galleria Borghese, Rome In this painting, recent restoration has revealed a lion, sleeping like a large cat in the background; it had been hidden under thick layers of paint that had darkened with age.Artist:BAROCCI, Federico Fiori Title: St Jerome Painted in 1551-1600 , Italian - - painting : religious |
| 20313 |
 |
The Circumcision (mk05) |
1590
Canvas,140 1/4 x 99''(356 x 251 cm)Painted for the high altar of a church at Pesaro from which it came in 1797;entered the Louvre in 1789;ceded to the Cathedral of Notre Dame de Paris for sixty years and given by the Chapter in 1862 |
| 9787 |
 |
The Nativity |
1597, oil on canvas, Museo del Prado, Madrid. |
| 4936 |
 |
The Nativity 54 |
1597
Oil on canvas, 134 x 105 cm
Museo del Prado, Madrid |
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| Barocci, Federico
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| Italian, 1535-1612
.Italian painter. The leading altar painter in Italy in the second half of the 16th century, he enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. His patrons included the Pope, Emperor, King of Spain and Grand Duke of Tuscany, and among his admirers were Lodovico Cigoli, Annibale Carracci, Rubens and Guido Reni. However, his work did not begin to receive the acclaim accorded that of Tintoretto or El Greco until the mid-20th century. Several factors have obscured his importance, notably the relative inaccessibility and scarcity of his painted works, most of which were done on commission for specific locations in remote parts of Italy (where they have remained), and the type of painting he produced, which was almost exclusively devoted to religious subjects. He executed very few easel paintings. No autograph example of his painted work has ever left Europe, the portrait of Quintilia Fischieri (c. 1600; Washington, DC, N.G.A.) and pair of portraits of Federigo Ubaldo, Prince of Urbino
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